Herman Melville's novel Moby Dick (1851) alludes to the Biblical whale, and major influences on Melville were the Bible, and poet John Milton, who in Paradise Lost compares Satan to Leviathan – see above. It will be served with garlic, raisins and rettich. The poem gives the recipe that God will use to cook the giant fish. God will one day serve the flesh of Leviathan to his chosen people. A Rabbi tells his Catholic opponent in a debate (the "Disputation") that every day of the year, but one, the God of the Jews plays for an hour with the fish at the bottom of the sea. The German poet Heinrich Heine mentions Leviathan in his Romanzaro. The Lord is pointing out to Job the negativeness of his faith so far. One interpretation of this design is that these beasts stand for the hopelessness of material nature. This relationship is explicitly seen in Blake's two pictures showing Admiral Nelson and William Pitt included in this display. William Blake's poem Jerusalem has the two monsters Behemoth and Leviathan represent war by land and by sea. or that Sea-beast Leviathan, which God of all his works Created hugest that swim th' Ocean stream. Prone on the Flood, extended long and large Lay floating many a rood, in bulk as huge As whom the Fables name of monstrous size, Titanian, or Earth-born. In Paradise Lost, Milton compares the size of Satan to that of Leviathan:
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Leviathan (or more precisely Leviathan or The Matter, Forme and Power of a Common-Wealth Ecclesiasticall and Civil is the title of Thomas Hobbes' 1651 work on the social contract and the origins of creation of an ideal state. Frontispiece of Thomas Hobbes's 1651 book Leviathan